installation
outside in
Outside In explores the notion of the outsider—those labeled as misfits, outcasts, or eccentrics, existing on the periphery of society. This work examines the connection between mental health and creativity, particularly through impulsive and compulsive behaviors. It questions the role of raw, unfiltered impulse in artmaking and its significance within the realm of Outsider Art. At its core, Outside In asks: How does creativity impact the well-being of those living outside societal norms?
This installation delves into mental states such as anxiety, depression, and paranoia, visually represented through figures with large, abstracted heads—symbolizing the overwhelming power of thought. Fragmented wooden pieces mirror the continuous formation of ideas in the mind, each distinct yet interconnected, shaping a functional whole.
Drawing from the physical manifestations of anxiety—restlessness, tension, fidgeting, and avoidance behaviors—Outside In embraces spontaneity and impulse, translating these energies into expressive, abstracted figurative forms. The work is both a reflection of the outsider’s experience and a meditation on the ways our inner worlds shape our external realities.
In 2016, Outside In was selected as a finalist for Sculpture at Scenic World, an exhibition set within the ancient forests of the Blue Mountains. Here, bold artworks are displayed in a breathtaking outdoor gallery, where visitors travel via one of the world’s steepest railways to explore a 2.4-kilometre walkway featuring site-responsive sculptures designed to complement their natural surroundings.
Outside In (2016), various woods, welded steel (installation shots for Sculpture at Scenic World in Katoomba, NSW)
timeless
These figures embark on a journey of self-exploration, their presence hovering between moments of clarity and disruption. The work evokes the intangible aspects of existence—enduring, timeless energies that move through and beyond the physical body and structures of thought.
These energies, often felt through love and remembrance, become especially heightened in times of mourning and grief. Timeless was a finalist in Hidden (2016), an annual outdoor sculpture exhibition set among the pathways and gardens of one of the oldest sections of Rookwood Cemetery. The exhibition invites artists and audiences to reflect on the cemetery’s contemporary significance, exploring its rich cultural heritage and the layered narratives within Australia’s largest and most historic resting place.
Timeless (2016), various woods, welded steel, fibreglass boat (Installation shots from Hidden at Rookwood Cemetery, NSW, Australia)